Montag, 29. August 2011

Taking the horse on oil painting is so tech

Horse breeds loosely classified into three categories based on general temperament: spirited "hot Bloods' speed and endurance," Cold-Bloods ", such as draft horses and some ponies, suitable for slow, hard work, and the" hot Bloods "developed in the cross between the warm Cold Bloods and Bloods, often focuses on creating breeds for specific riding, especially in Europe. More than 300 types of horses in the world today, designed for different purposes.
There is no nobler animal than the horse because the horses to the princes, nobles and knights are separated from smaller man, and it is not worthy of the Lord is among individuals, except through the mediation of a horse. Since the beginning of the mythology, horses were the great rulers. Welsh and Celtic legends, revered and sacred white horses rode only royalty.
The beginning of the representation of horses in art history, pre-date the written language of man. Artists began to create images of the horses in prehistoric times, and the inclination is about now. The horse has captured the attention of men longer than recorded history of art, or just plain old recorded history.
Horses also represented in art for thousands of years. The horse is even less of modern art because of the horse becoming less significant as implemented in the war. If you find horses in modern art, you're more likely to see them represented in horse racing or historical association with the Native Americans. The British journal of art, we find that a lot of nostalgic rural scenes involving horses, they often include hunting.

If people are interested in horses, maybe they can buy an oil painting of a horse. In our shop a lot of oil paintings of animals, and they find what they need. Paintings of animals is of good quality and they are all bright. These are likely to be several times as the clubs, cable TV and dining.

Freitag, 26. August 2011

The one you must note - car paint

Although cars may be a necessity or a luxury in our lives, are present in our daily lives and the influence a good deal. Some of the cars prints created by contemporary artists will show the impact that automobiles have on our culture and society. The others are painted with the sole purpose of giving art collectors of the car they want to see and have. For this reason, some car recorded express less of what the artist feels and much more is expected of a work of art. 

Car paints are made to make a big difference in how your home, office, showroom or any other environment is and how you feel about it, if you're in the art car. car prints also have the same purpose, which is to substantially improve the visual appearance of any use or place you live, whether office or study, and must know that these impressions are the result of many hours of work and effort creative. Most cars are made prints of oil paintings, although there are some that were added some watercolors as well. print car served the purpose of advertising for car dealers and car brochures together, and this function, which was created in the early twentieth century did not change for about seventy years.

http://www.oilpaintingsonlinestore.com/Assistant/img.aspx?src=/images/Product/Anonymous-Stopping-at-The-Bank.jpg
In England, unlike the United States, automotive paints as a form of art has a long history. But in America, it was not until the beginning of the 1980s that the real forms of automotive art began to manifest. car prints are now created by artists who have had training in art, but do not go painting portraits and landscapes to paint cars, just because I felt the need for change or realize that the art market vehicle was spending. This is definitely not the case. Car impressions are made by people who have serious knowledge about automobiles. 

Whether it's antique vehicles, racing cars or cars of elite, these paintings are created by people who identify with the gender of the car. However, some car paints are the result of work of an artist who is closely related to the cars, but sees them as anything else of an artistic expression on the canvas.

Donnerstag, 25. August 2011

Every body like the painting on canvas that caught you

Oil painting on canvas is a method where the image is drawn directly
the canvas, painted with oil based colors. In general, paints with linseed oil and its base, but safflower oil is another type of
oil together, and included in its place. The following aspects to concentrate on painting with oil paints on canvas priming. Once on canvas, you should be prepared before they can apply the paint with oil painting. It is a relatively easy process and requires the purchase of acrylic gesso. If you have been

acquired before the switching capacity has already been processed. It's a good idea to check when buying a canvas. No
time spent on this step if necessary. Make sure the first coat dry before adding another more fat than skinny: This term refers to the amount of oil in each layer of oil paint. It is important to follow this concept to remove the paint
cracks when dry. Some paintings take a few days to dry, while it takes a couple of weeks. This variable over time
It also depends on the level of oil painting. oil painting less oil and dry lean
fat faster than street scenes oil paint. Thus used, the term fat are more likely to remember the artist to apply the paint with more oil on the lower level. Thus used, the term fat are more likely to remember the artist to apply the oil with more oil on the lower level. More layers of paint, and more oil must be found in each additional layer

painting
solvents and resins:. The solvent for the resin coating during the cleaning solution and also be added to modify the way the oil
paintings. These solvents evaporate over time and very flammable. I hope the above is useful to you.

Choose the suit painting from china

Since the beginning of the fall of the Chinese art painting, "realism" and "realistic painting" has a natural link, or in a sense the beginning of the Chinese oil painting is "realistic painting." In the path of development, the "realism" and "realistic painting" has always been associated with it. 

   
Art of Chinese painting and the history of the development of social and cultural development of China, changes in the history closely linked, is accompanied by a knowledge of natural and cultural knowledge of the West and others to step into starting China.The for the development of China's oil paintings, is well documented in the Ming Dynasty in Ningbo, Zhejiang Jiajingnianjian the Portuguese in the establishment of the Hong Kong Trade Shuangyu base, the paint will bring this serigraphs ition Free shipping worldwide!

   Painting realistic walk all the way, accelerated the birth of modern Western art of the genre at the time of the birth of Chinese art painting, but also a deep zone Patinagem realistic traces the art of oil painting. Or that Chinese oil paintings come in time, it certainly has the impression of Western painting, and after all the art schools affected, but in essence says that the Chinese oil painting at the time of departure for basic characteristics of a "realist painting." Faren realistic depiction of China and foreign missionaries preaching the culture is closely linked to that of Western painting is only imported oil paintings, watercolors, copper engraving, and other types of painting, studying the art of Chinese painting of realism began to explore the introduction of Western art, depend on a variety of painting, art and artistic spirit. 

   
The study of the realistic depiction of China, but also explore the Westernization Movement, the Movement for the Restoration of the Reformation, the New Culture Movement in China and other political and cultural background, when Kang Youwei Although the history of painting West was misreading, but the realism of the western landscape oil paintings still having problems with analysis, in its "travel in 11 countries in Europe," praised the work of Rafael "T Miao Yi Yi, alive, Yun Xiang most Rao, Cheng Yi God "and" show your health-Yun, who must be independent "and" far from angry, Shenmiao forced true, the name is true, "These kind words are" realistic. " 

   After New China was founded, the reality of the revolution consciously become the mainstream art of painting china. as the optimism of opening of the revolution, which represents the revolutionary war and socialist construction in the history of the scene of prosperous life. Uncertainties, precise and powerful, the common pursuit of the kingdom of many arts painter. "Painting was exceptional realistic realistic conditions have been greatly developed.

Dienstag, 23. August 2011

The do and don'ts when love your oil paintings

Oil painting is the most versatile art. Oil painting is only part of the most adaptable and flexible talents. It has its own variables varieties.Different paint can be used and not limited to the brushes of artists and paintings. Apart from oil paintings and canvas, some artists use other means. The varnish is different thing.The half used by artists can be set or play with the brightness or enamel paint, or can cover the brush strokes, or make the oil painting seems mobile, even yet.
Make it a mixture or in glazes, the result of old and new attracts the eyes of many. The mixture is how the artist applies the paint thickly in oil, while the enamel is the thin paint is applied on the surfaces.
The appeal of oil paint spread all over Italy during the 15th century. From then on one hand has touched many artists from around the world. Color selection becomes critical especially in oil painting, because the properties of each oil painting can adverse or good.
Conditional artists paints are mixed in advance before applying to the canvas, paper, slate, pressed wood or wood panel. As artists are trying to establish his own identity, developed in the art of oil Paintingis the technique of using oil paints in tubes.

It is more convenient and less messy. First, a principle can paint the surface with a clear paint or apply immediately the coal, depending on the subject of the artist.
Artists range in style issue, stroke, and the subject. In this table, no matter the topic or subject matter, but how well the artist applying the techniques, or even make your own echnique. For some, let the initial coating or under painting dry first.
Patience is the number one material in this painting. However, the masterpiece will definitely be a huge success.
However, oil paints dry by oxidation, often leave a hardened paint. That's why it is necessary to scrape the outer surface to remove the coarse and irregular to provide a smooth and level facade. To preserve the paint, apply varnish.
However, the new school would venture wet to wet paint. This is more difficult, because taking into account the component of oil paint that dries instantly, the application of floral paint in a wet layer could modify the preliminary design, or my complete review of the entire piece. Artists such as Jan van Eyck are too bold to carry out this method.
This is very complex, if not, the complex piece of work. Oil paint could dry up for years. Some artists wait years before they could apply the second layer, and after several years again before it dries. Oil paints do not dry by evaporation but by oxidation.

Most funny story about oil painting

Oil paintings of all shapes and sizes and can be based on a variety of topics to appeal to all tastes. They can be painted in different types of materials such as fabric or cardboard. Classic original oil paintings are among the most valuable works of art that exist, some are worth millions of dollars. While a number of valuable oil paintings are displayed in museums, private collectors who buy art for your personal enjoyment or as an investment also own some.
Many art museums offer educational tours that teach people about oil paintings and how to care for them. Whatever the reason for the purchase of an oil painting, it is important to take good care of it. Strong sunlight, extreme temperatures and excessive humidity can cause damage to oil paintings.

For most people, oil paintings provide an economical way to have your own replica of a favorite painting. Many companies sell reproductions of oil painting, commissioning artists to paint what qualified customers want. A customer has the flexibility to choose a favorite picture size and the material is painted. One can appreciate a painting or a favorite photo copy results in an landscape oil painting. Some companies commission custom artwork and portraits. For those who are not so sure what they want, most companies have extensive online galleries that allow potential customers to browse and select the pictures they would like by theme or genre.
For the budding collector, going to museums and galleries and reading books about renowned oil painters is a good way to learn more. A number of investment firms now offer investment portfolios that include valuable paintings. While the value of oil paintings by famous artists can be expected to increase steadily, predicting the future value of contemporary art is more difficult to do.

Donnerstag, 18. August 2011

Paused VHS Tapes Inspire Paintin

Andy Denzler's oil paintings, like Bedroom Portrait Face Down, mimic the images produced by paused VHS tapes.
Photo: Andy Denzler

Swiss artist Andy Denzler creates paintings that are designed to look like the fuzzy image of a paused VHS recording.
The oil paintings — mostly portraits of people — aim to reinterpret photography and film stills. Denzler told Wired.co.uk: “I’m pushing the boundaries and possibilities of abstract and photorealism. It’s as if I’ve pressed the fast-forward on a video machine, then hit the pause button, so reality comes to a standstill. I speed up and slow down the colors. What remains is a distorted moment — classically painted, oil on canvas — which, upon closer inspection is very abstract, but from distance looks real.”

He first got into the technique in art school, where he worked a lot with Waterside-Scenes paiting. He said: “One day when I was experimenting with abstract composition, I saw color fields appear on the canvas, like what you get with long exposure times on photography. The effect was as if something was hovering beneath the surface of the paint.”
He has been honing the technique in both color and black-and-white over the last 10 years. In the monochrome pieces, the effect resembles the “snow” of old black-and-white televisions from the 1960s.

According to Denzler, his main challenge is creating a “painting that describes the everyday and the monstrous simultaneously” and the “believability of the image.”

The oil painting class at MVCA


Mohawk Valley Center for the Arts is pleased to announce a One Day Workshop on Oil Painting conducted by Wilson Bickford on Saturday September 24, from 10 AM to 2 PM.

The subject for this workshop is "Red Barn". The cost of the class is $55. This includes EVERYTHING -a 16"x20" canvas, brushes, paints, use of an easel, etc. Prepayment is required for this class.  Willie will be teaching the "Wet on Wet" Oil method. At the end of the class, you will take home a completed painting!
  Signs Of Fall Near The Eiffel
This class is open to ALL skill levels including beginners. Ages 8 to 98 are invited. No prior painting experience is required. The last seminar was a sell out. This is the fourth session in the 2011 Series.  Space is limited to 25 participants. The previous 3 seminars have been sold out.  Please contact Barbara at 823-0808 to register early. Payment is required at the time of registration. Bring a bag lunch and beverage.

The workshop will be held at Emmanuel Episcopal Fellowship Hall, 564 Albany Street, Little Falls, NY.

Watching that Vic art gallery scoops up $5.2m Correggio online


The Italian Renaissance oil painting hung in a Swiss home for more than a century, hidden from the world.

When Melbourne investment manager Andrew Sisson saw the rare Correggio, he was so mesmerised by its beauty he handed over $5.2 million of his own money to the National Gallery of Victoria to buy it.

"When I first saw it, it's one of those things that makes you go a bit weak at the knees, to be honest," said Mr Sisson, a gallery trustee.
"To me it's just got the humanity of it. There's a lot of virgins and child when you walk through galleries in Europe and they just don't do to me what this one does to me."

So internationally significant is the work - the most expensive ever bought by the 150-year-old gallery - that director Gerard Vaughan did not think the NGV would ever be able to afford it.

"We were very fortunate to get it for the price we got it at," Dr Vaughan told reporters on Wednesday.

"A number of directors of international institutions have spoken to me about it since and have said they expected it to go for double what we paid for it."
Until a few months ago, nobody in the art world even knew the painting existed.
Madonna and Child with the infant Saint John the Baptist, painted around 1514-1515, had been hidden away in a private collection in Switzerland for more than a century before being auctioned by Sotheby's in London last month.

Dr Vaughan described Correggio, born Antonio Allegri, as one of the greatest artists of the High Renaissance period of the early 16th century, along with his Italian contemporaries Leonardo da Vinci, Raphael, Michelangelo and Titian.
No matter how much money you have, you can't buy a Leonardo, Raphael or an early Titian, and no one can remember when a major early work by Michelangelo was on the market, he said.

"Everyone thought that you can't actually buy Correggios, there aren't any to buy because he is so valued by collectors and by connoisseurs."

Dr Vaughan said it would normally be impossible for the gallery to go after a Correggio with Floral paitings, but Mr Sisson made it his business to secure it for the collection.
  Still Life of Flowers Fruit and Bird27s Nest on a Marble Ledge
"Let's be frank, this is a gift from Andrew to the people of Victoria," Dr Vaughan said.

"He's giving this to the community and it's a fantastic thing."

It's the first authenticated Correggio to come on the market for half a century.

"And it is possible, unless there's another discovery that wasn't known about, there may not be another Correggio that could ever come on to the markets," Dr Vaughan said.

A superficial cleaning of the painting wiped away soot believed to have accumulated while it hung in a room with an open fire in the private collector's Swiss residence.

The 45cm x 35.5cm Madonna and Child is in almost perfect condition and is now on display at NGV International before being revarnished next year.

Montag, 15. August 2011

Grant's colorful landscapes are painted

GLENWOOD SPRINGS, Colorado — Pick your subject, organize your idea and paint what you see and feel.

Those are the words of advice from artist Lanny Grant, describing how he produces colorful landscape paintings that are exhibited in local galleries, and throughout the state and the country.
Grant is the featured artist through August and September at the Colorado Mountain College Gallery in Glenwood Springs.

“I always base a painting on a real experience,” Grant explained. “I've been there and I've seen it.”

Grant, now 58, is a Glenwood Springs native and currently lives in Silt. He began painting when he was a child, exploring the wonders of the mountains on his dad's 40-acre ranch in Peach Valley.

“I always tell people the story about when I was in the third grade and I got in trouble with a friend of mine because we erased the lesson on the blackboard and did some drawings,” he said with a smile.

“The teacher wasn't happy with it, but the next day she came to class with a roll of white paper under her arm and told us that we were going to draw pictures of the history of the world for the class. To this day, I can still hear the squeak of markers and the smell of ink.”

His teacher wasn't the only one who recognized his budding talent.

When he was 10, Grant broke his left wrist and his mom came home with a ream of white paper. He began to sketch trees and pictures of fishing trips he had taken.

“I also got an oil painting set for Christmas that year, and I progressed into color,” Grant said.

The fishing trips turned into sketches and paintings of landscapes. Eventually Grant began translating impressions gathered from nature and the changing moods of the Rocky Mountains into compelling paintings evolving into his signature style.

Grant learned through his painting and continued to study art through courses in art history, painting, design, life drawing and sculpture at Adams State College in Alamosa in 1971 and 1972.

Early influences

One of his earliest art influences was Ben Turner of Albuquerque, N.M. Grant met him while Turner was spending time in Redstone with his friend, painter Jack Roberts.

“He was the first real artist I ever met,” Grant said. “My dad was delivering some heating oil in Redstone and Ben said to bring me up. It's probably the reason I'm still painting today.”

Turner has since passed away, and Grant has one of Turner's handmade easels, which he says is one of his most prized possessions to this day.

Turner also gave Grant's father a piece of advice about his son.

“He's got it,” he said simply.

“Whatever ‘it' means,” Grant said with a shrug and a smile.

“It” is Grant's artistic talent, as his mountain scene paintings of Colorado, Wyoming, Montana and Canada hang in galleries in the West, in the governor's reception hall in the state Capitol building in Denver, and at the Vatican in Rome.

It was 2002 when Grant was commissioned to create a painting of Mount of the Holy Cross to commemorate the 1993 visit to Colorado by Pope John Paul II.

“Dr. Kurt Papenfus was an emergency room doctor who was working as part of the medical team for the Pope's visit,” Grant recalled. “He met the Pope and later visited him in 2002, and thought a painting of the Holy Cross would be a perfect gift.”

Grant's work is also featured in the popular greeting cards of Leanin' Tree Publishing Co. of Boulder, and his paintings have been listed in the annual Arts for the Parks Top 100 finalist's competitions in 1995 and 2002 in Jackson, Wyo.

Other influences on his work have included J.M.W. Turner, a famous English romantic landscape painter from the 18th Century, and Jonathan Trumball, an American artist of the 1800s whose “Declaration of Independence” painting was later featured on two-dollar bills. Trumball is also a distant relative of Grant's.

One of his biggest influences was Ramon Froman, a Texas artist who conducted summer art workshops in New Mexico.

“I graduated from Rifle High School in 1971 and then went to his summer art school for four weeks in New Mexico and studied portrait painting,” Grant said. “I learned probably more about the fundamentals from him than anyone I know.”

Five fundamentals of painting

In addition to his painting career, Grant is an instructor at the Colorado Mountain College West Garfield County campus in Rifle where he teaches art classes for youngsters ages 7 - 14.

“I like working with kids,” Grant said. Teaching, he said, “gives them the fundamental building blocks that they can build on.”

Grant's teachings are based on five fundamentals, which he also uses in creating his own artwork.

The first one is observation.

“That's the foundation for all of it. That's where it's grounded. You see not only with your eyes, but you're seeing with your heart,” he said. “It's awareness and heightened sensitivity. Pay attention to the things that stop you in your tracks.”

The second fundamental is drawing.

“You take a two-dimensional surface and transform it,” he said simply.

The third is to pick a subject for your design and composition.
“Put an idea together and challenge the landscape,” he advised. “When you're painting, decide what you're going and not going to put in. Organize your idea.”

Grant's fourth fundamental of oil painting is to look at the values.

“Look and your light and your shadows. Look at the wonder of light,” he said.

The fifth and final fundamental is that of color.

“It's kind of like building a house,” Grant explained. “You figure out the foundation, where you're going to put it and what kind of structure it will be. But in art, the strength of the foundation is in the strength of your idea. Color is the emotional impact that really makes the painting sing.

“Painting is the visual music. That's why a lot of artists listen to music while they paint,” he added.

And to sum up the life of an artist?

“The goal is to live a long enough life to learn and be passionate about what you're doing — to make it second nature,” Grant said. “It all comes back to the strength of the idea. If the idea is strong enough, it will paint the painting.”

Artist says oil painting is a lifelong love

Patrick Dinunzio said art has been a part of his life almost as long as he can remember and he hopes it will stay with him until the end.

Dinunzio, a Bruce Township resident, is the featured artist during August at the Wolcott Mill Historic Center. Dinunzio will feature a variety of his oil paintings. The artist said he has been interested in the subject from an early age and luckily never got too far from it.

"I got my first paint set in the early '60s, so I've been painting for about 50 years," he said.
Dinunzio studied art at the Center for Creative Studies, Wayne State University and Macomb Community College, but said he is primarily self-taught.

Dinunzio worked as a machinist, machine repairman and programmer, but he said he always found time to jump into painting - especially now that he is retired.

"I am kind of changing my style and getting a little more painterly," he said, adding that his work is becoming a little looser. "I am changing and I have

noticed through the years as my personality changes, I'm getting older, that is the evolution of my painting according to how I feel."

Dinunzio said despite his long history as a painter he finds himself primarily drawn to one medium.

"I know some artists diversify with pastels and waters, and I just got attracted to oils and that is it," he said, adding that he also works in ceramics. "I

like the idea that you have time to do corrections. With watercolors, you can't. Acrylics dry too quickly. Oils are just an appealing medium to work with."

As for subject matter, Dinunzio said he really enjoys portraits but he isn't afraid to diversify.

"I'll work in portraits for a week or two and then I kind of get burnt out, and I jump to landscapes and still life," he said.

Dinunzio said he has enjoyed working on his more than 100-year-old farm in Bruce Township as it provides a lot to the creative mind.
"It is quite large so there is subject matter," he said.

Dinunzio said he hopes in the future to get a chance to travel, especially to the west and the mountains, to paint. The artist also said he hopes to find new

and interesting subject matter, and that he will have the opportunity to paint for a long time.

"My art is always changing and I know that as I change my art is going change and it keeps me going," he said. "I'll paint until I die."

Dinunzio teaches oil painting for beginner, intermediate and advanced students at his farm during the year.

For more information about Dinunzio's work or taking an art class with him, call 255-9312.

The Wolcott Mill Historic Center is located at 64162 Kunstman Road.

Oil Painting Featured in Season Premiere

A specially commissioned oil painting was featured in the premiere episode of The Ultimate Merger 2 on August 4, 2011. The show follows super model Toccara Jones’s search for love as fourteen men vie for her attention. Toccara’s painting was unwrapped after each contestant had entered the residence.

For years, It has been offering high-quality, hand-painted reproductions of works by some of the most famous artists in history, including Monet, Picasso, Renoir and Van Gogh, among many others. A small number of paintings are kept in stock, but most are hand-painted to order, and can be selected from among hundreds of options.
Brandon Fuhrmann, has announced that the custom painting of Toccara Jones for The Ultimate Merger 2 is the start of a brand new service to be offered by the website.

States Fuhrmann, “It is expanding its services to include custom-order paintings, and The Ultimate Merger is the perfect kickoff. We’ve always offered custom paintings to an extent, in that customers have always been involved in the painting process. For example, we offer unlimited free alternations via email. Now we’re taking things a step further—customers can not only tweak paintings offered on the site, but order completely new masterpieces, hand-painted to their specifications. Whether they want a family portrait, a landscape or whatever else, will deliver.”

Fuhrmann explains the company’s decision to expand services, “Our reproductions are masterpieces in and of themselves, made of the highest-quality materials and hand-painted by supremely talented artists. This expansion of services is only natural—our artists are capable of beautiful, original works. I am very pleased to now be able to offer truly custom works to our customers.”
Anyone who wishes to order a custom painting can upload a photograph directly, customize it instantly, and even add a picture frame and select a wall color to and see what the oil painting will look like once completed and hung.

In addition to custom oil paintings from photos, features oil paintings by over one hundred different artists, ranging from well-known greats such as Renoir, Da Vinci and Van Gogh, to those whose names are less familiar, but whose work is equally as striking. Each painting is painted using top quality oil paints on canvas.

Freitag, 12. August 2011

Charity day oil painting 'could be Old Master'

An oil painting which was taken to a charity valuation day in Cheltenham could be an Old Master worth tens of thousands of pounds.

Auctioneers believe the portrait of The Madonna could be by the artist Guido Reni, who worked in Italy in the early 17th Century.
  A Window and Some Flowers
International art experts are now being consulted to verify the painting.

Philip Allwood from auctioneers Moore, Allen and Innocent said he was "very excited" when he saw it.

The picture on copper plate depicts The Madonna wearing a blue cloak with her hands clasped together.

'Exceptionally well-painted' It was taken to a fund-raising event at Sue Ryder Hospice in Leckhampton by a member of the public who does not wish to be identified.
  Queen27s Balcony
"It's an exceptionally well-painted piece that has the potential to be worth tens of thousands of pounds," said Mr Allwood.

Visitors were invited to pay £3 per item, or £5 for three items, to have family heirlooms looked over by an expert.

Among other items brought along for valuation at the event were a portrait of an old woman, possibly by the artist David Teniers II, an English Civil War cannon ball, and an autograph book containing the signatures of John Lennon and George Harrison.

The fund-raising event raised £700 for the charity.

Family relives 1940 fire of Crook Farm

“Fire at East Orrington” oil painting on canvas by Waldo Peirce in 1940 is 27 inches by 40 1/16 inches and was purchased by the Farnsworth Art Museum in Rockland.
 
Priscilla and her younger sister Betty were swimming in the Sedgeunkedunk Stream when they heard hollering from their grandparents’ dairy farm up the road. As they ran up the hill to the farm, they saw the smoke — and then the flames.

It was Aug. 28, 1940, and East Orrington didn’t have a fire department. By the time the Brewer fire trucks reached the farm, the milk room was a lost cause and firefighters had to subdue the flames before they reached the adjoining main house of the Crook Dairy Farm (then owned by Milo and Ida Crook). Priscilla and Betty, then 9 and 7 years old, stood in sopping-wet bathing suits and watched with terror as neighbors caught possessions being thrown from the windows.
 “Fire at East Orrington” oil painting on canvas by Waldo Peirce in 1940 is 27 inches by 40 1/16 inches and was purchased by the Farnsworth Art Museum in Rockland.
Among the many people at the scene was renowned painter Waldo Peirce, who had followed fire trucks in hopes to capture the action. When he was done translating the event onto canvas, including the sisters in their bathing suits, he packed up his art supplies and left the farm, unnoticed by the frantic Crook family.
On Tuesday, Aug. 9, more than 70 years later, descendants of the Crook family traveled to Rockland to view the painting, “Fire at East Orrington,” for the first time.

Only two people painted into the scene are alive to tell the tale. Priscilla Washburn, 80, lives just a few doors down from her sister Betty Renaud, 78, at a retirement home in Brewer.

“I remember kicking and digging in the dirt,” said Priscilla.
She and Betty had stood in the vegetable garden as the flames licked the sky, squirming their toes in the soil and screaming and crying, she recalls.

“Most everything we did was on the farm,” explained Betty, who lived just up the road with Priscilla, her older brother, Jack, her mother, Elizabeth and father, Athelbert.

Hired help Timothy Bishop was in the milk room cleaning bottles when a fire broke out around the chimney. The sisters heard him yelling to his brother, Bob, who was tending the horses nearby.

A article published Aug. 28, 1940, relayed that “Mrs. Crook [Ida] and her daughter, Dorothy, were attending a farm bureau meeting, and Mr. Crook [Milo] and his son, Athelbert, were at the latter’s home piling wood.”

The Daily News was accurate, save for one small detail, which the sisters would like to set straight.

The article states that during the fire, “Mrs. Crook noticed she had lost a valuable diamond ring from her finger. A few minutes later, a small boy brought her the ring, which he had found in the front lawn.”

It was 8-year-old Gene McHale who found the ring. Gene, a friend of Betty and Priscilla, was mortified when she saw that the paper had called her a boy.
The fire consumed the milk room, kitchen, ell and the porch where the summer help would often sleep, sheltered by vines. Firefighters and neighbors stopped the blaze before it razed the main house.

“I can remember as a kid, the milk bottles were melted,” said Betty.
After the fire, her grandparents and the farm workers moved to the vestry of the nearby East Orrington Congregational Church, where they hung blankets for privacy and waited for months while the milk room and kitchen were rebuilt. The girls visited their grandparents at the vestry that Christmas to exchange gifts and listen to programs on the radio. Neighboring diary farmers offered their milk rooms for putting up their milk.

By the time the rooms were rebuilt, the sisters were old enough to work in the new milk room and help with deliveries. Their father, who had always been fire conscious, became the fire chief of the new Orrington fire department.

It wasn’t until several years later that Jack Crook, the sisters’ older brother, spotted an image of Peirce’s “Fire at East Orrington” in a magazine and recognized the burning house as the Crook Dairy Farm. A short investigation led him to the Farnsworth Art Museum, which currently has 11 paintings and 10 works on paper by Peirce.

The museum gave the Crook family a negative of the painting, which they made into several framed copies that continue to circulate throughout the family.

“Fire at East Orrington” is fairly accurate. To the left, a row of three girls wearing bathing suits stand, watching the fire as people run around the house, jumping over the hoses snaking across the lawn. Betty, identifiable by her blond hair, stands between Priscilla and her friend in the bottom-left corner.

“He put an extra window in there,” said Priscilla, pointing at the right window of the house.

The Crook property in Orrington was extensive, and the sisters remember their father owning land on Brewer Lake Road, Johnson Mill Road and Fowler Road. He sold the farm in the late ’60s. It burned two additional times before the farmhouse was torn down. The Crook Meadow Subdivision is now located on a piece of the family’s former land.

The sisters have no explanation why their family never visited the Farnsworth to see the original painting before, besides that time passes quickly.

“My daughter [Cathy Buck] was the one, in particular, who wanted to see it,” said Betty. “So we figured we’d do it this year.”

At 11 a.m. Tuesday, Aug. 9, 12 members of the family met at the Farnsworth to view the original 27-inch-by 40-inch still life oil painting, which is much larger than Betty had expected it to be. The curatorial staff brought it out of storage so the family could have 30 minutes with the painting, a relic of family history.

“About time,” said Priscilla, laughing with her sister at her home in Brewer. “How many years has it been?”

Mittwoch, 10. August 2011

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Oil painting is the process of painting with pigments that are linked to a means of drying oil - especially in modern Europe, linseed oil. Often an oil such as linseed was boiled with a resin such as pine resin or incense, even, who were called 'varnishes and were prized for their body and shine. Other oils occasionally include poppy seed oil , walnut oil and safflower oil. 
 A Small Town by the River
These oils confer various properties to oil painting, such as less yellowing or different drying times. Certain differences are also visible in the glow of oil based paints. Painters often use different oils in the same painting depending on specific pigments and effects desired. These paintings also develop a particular sense, depending on the medium.
Although oil painting oil painting was first used in western Afghanistan sometime between the fifth and ninth centuries, which did not gain popularity until the 15th century. Your practice may have migrated westward during the Middle Ages.  

 Nude woman riding a white horse through the town by Godiva
Oil painting eventually became the main medium used to create works of art as its benefits became widely known. The transition began with the early Flemish painting in northern Europe, and the height of the techniques of Renaissance painting of oil had almost completely replaced tempera paints in most of Europe.